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Tag: visual culture

Janet Neary. Fugitive Testimony: On the Visual Logic of Slave Narratives

Janet Neary. Fugitive Testimony: On the Visual Logic of Slave Narratives. New York: Fordham University Press, 2017. 222p., ill. ISBN 9780823272891. US$ 27.00 (paperback), US$ 95.00 (hardcover).

I have written a number of reviews, but rarely do I crack open a book to review and immediately become so immersed that I have trouble putting the book down. Only a couple pages in, I found myself scribbling notes in the margins, asking questions, and tying the subject matter to my own research and exhibitions. Fugitive Testimony is interdisciplinary, comparing and contrasting historical slave narratives and narratives in contemporary art.

‘Moments of Vision’: The Life and Work of Thomas Hardy

‘Moments of Vision’: The Life and Work of Thomas Hardy

The Thomas Fisher Rare Book Library, University of Toronto

24 October 2016–24 February 2017

The Thomas Fisher Library’s latest exhibit, ‘Moments of Vision’: The Life and Work of Thomas Hardy, curated by the renowned Canadian Rare Book dealer Debra Dearlove, and with contributions from Keith Wilson, Deborah Whiteman, and Michael Millgate, celebrates what can be described modestly as one of the most substantial literary donations to the Library of the past 25 years: As Interim Director of the Fisher, Loryl MacDonald, writes in her Foreword to the catalogue, “[t]he basis…is the superb Millgate Thomas Hardy Collection, gifted to the Library by Jane and Michael Millgate in 2012 and in 2013…assembled by Michael Millgate over forty-five years” (4).

Vanessa Meikle Schulman. Work Sights: The Visual Culture of Industry in Nineteenth-Century America

Vanessa Meikle Schulman. Work Sights: The Visual Culture of Industry in Nineteenth-Century America. Amherst and Boston: University of Massachusetts Press, 2015. xi, 278p., ill. ISBN 9781625341952. US $29.95 (paperback).

With strong opinions of belonging and citizenship motivating current debates on immigration reform and global economics, Vanessa Schulman’s Work Sights: The Visual Culture of Industry in Nineteenth-Century America proves timely, providing useful historical context through which we can understand the ways that these concepts were shaped and circulated in nineteenth-century America.

Chloe Porter. Making and Unmaking in Early Modern English Drama: Spectators, Aesthetics and Incompletion

Chloe Porter. Making and Unmaking in Early Modern English Drama: Spectators, Aesthetics and Incompletion. Manchester: Manchester University Press, 2013. viii, 230p., ill. ISBN 9780719084973. US $110.00 (hardcover).

In her intriguing new book, Chloe Porter adds to the growing body of scholarship that treats the theatrical making of early modern plays as a collaborative enterprise. Porter situates the production of early modern drama – as well as its concern with artistic processes of all kinds – in the context of a broader visual culture where the collaborative creation of art, especially via patronage, was the norm.

Mary Henes and Brian H. Murray, eds. Travel Writing, Visual Culture and Form, 1760-1900

Mary Henes and Brian H. Murray, eds. Travel Writing, Visual Culture and Form, 1760-1900. Basingstoke: Palgrave Macmillan, 2016. xiv, 248p., 21 ill. ISBN 9781137543387. US $95.00 (hardback).

This interdisciplinary collection of essays by scholars working in fields from English literature and art history to Greek and tourism studies draws on recent developments within travel studies that seek to move beyond the “imperial gaze” approach that long dominated the field, introducing innovative perspectives that recognise that modern transport routes were inextricably “bound up with global networks of print” (6).