Jonathan Senchyne. The Intimacy of Paper in Early and Nineteenth-Century American Literature

As the paper codex is becoming increasingly supplemented, if not yet entirely replaced, by digitally mediated textuality, Jonathan Senchyne redirects our attention to the specific sense of materiality that writers and readers experienced as characteristic of literary communication until the late nineteenth century. Rather than focusing on print or publication history as such, however, his monograph The Intimacy of Paper in Early and Nineteenth-Century American Literature sheds light on something that even book historians have often tended to pass over in silence: the reliance of print on paper, the inconspicuous matter on which letters become visible. Over the past fifteen years, several studies have begun to tackle the subject of paper from a range of different perspectives, among them Kevin McLaughlin’s Paperwork: Fiction and Mass Mediacy in the Paper Age (2005), Lisa Gitelman’s Paper Knowledge: Toward a Media History of Documents (2014), or Maryanne Dever’s Paper, Materiality and the Archived Page (2019). What makes Senchyne’s contribution both distinctive and important is his literary-historical approach to reading paper in relation to the nature of its production.